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夏伊洛

夏伊洛 豆瓣评分:7.5

已完结
  • 分类:剧情片
  • 导演:Dale Rosenbloom
  • 地区:美国
  • 年份:1996
  • 语言:英语
  • 更新:2026-01-15 09:31
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  • 夏伊洛是由斯科特·威尔森,布莱克·赫伦,邦妮·芭利特,罗德·斯泰格尔,迈克尔·莫里亚蒂主演的一部剧情片。 "" shiloh phyllis reynold naylor winner of the n.. 更多

夏伊洛剧情介绍

《shiloh 》「夏伊洛」(1992纽伯瑞国际儿童文学金奖)英文选读""

shiloh

phyllis reynold naylor

winner of the newbery medal

chapter 1

the day shiloh come, we're having us a big sunday dinner. dara lynn's dipping bread in her glass of cold tea, the way she likes, and becky pushes her beans up over the edge of her plate in her rush to get 'em down.

ma gives us her scolding look. "bust once in my life," she says, "i'd like to see a bite of food go direct from the dish into somebody's mouth without a de- tour of any kind."

she's looking at me when she says it, though. it isn't that i don't like fried rabbit. like it fine. i just don't want to bite down on buckshot, is all, and i'm checking each piece.

"i looked that rabbit over good, marty, and you won't find any buckshot in that thigh," dad says, buttering his bread. "i shot him in the neck."

somehow i wish he hadn't said that. i push the meat from one side of my plate to the other, through the sweet potatoes and back again.

"did it die right off?" i ask, knowing i can't eat at all unless it had. he day shiloh come, we're having us a big sunday "soon enough.

"you shoot its head clean off?" dara lynn asks. she's like that.

dad chews real slow before he answers. "not quite," he says, and goes on eating.

which is when i leave the table.

the best thing about sundays is we eat our big meal at noon. once you get your belly full, you can walk all over west virginia before you're hungry again. any other day, you start out after dinner, you've got to come back when it's dark.

i take the .22 ride dad had given me in march on my eleventh birthday and set out up the road to see what i can shoot. like to find me an apple hanging way out on a branch, see if i can bring it down. line up a few cans on a rail fence and shoot 'em off. never shoot at anything moving, though. never had the slightest wish.

we live high up in the hills shove friendly, but hardly anybody knows where that is. friendly's near sistersville, which is halfway between wheeling and parkenburg. used to be, my daddy told me, sistersville was one of the best places you could live in the whole state. you ask me the best place to live, i’d say right where we are, a little four-room house with hills on three sides.

afternoon is my second-best time to go up in the hills, though; morning's the best, especially in summer. early, early morning. on one morning i saw three kinds of animals, not counting cats, dogs, frogs, cows, and hones. saw a groundhog, saw a doe with two fawns, and saw a gray fox with a reddish head. bet his daddy was a gray fox and his ma was a red one.

my favorite place to walk is just across this rattly bridge where the road curves by the old shiloh schoolhouse and follows the river. river to one side, trees the other--sometimes a house or two.

and this particular afternoon, i'm about half- way up the road along the river when i see something out of the corner of my eye. something moves. i look, and about fifteen yards off, there's this shorthaired dog--white with brown and black spots--not making any kind of noise, just slinking along with his head down, watching me, tail between his legs like he's hardly got the right to breathe. a beagle, maybe a year or two old.

i stop and the dog’ stops. looks like he's been caught doing something awful, when i can tell all he really wants is to follow along beside me.

"here, boy," i say, slapping my thigh.

dog goes down on his stomach, groveling about in the grass. i laugh and start over toward him. he's got an old worn-out

collar on, probably older than he is. bet it belonged to another dog before him. "c'mon, boy," j say, putting out my hand. the dog gets up and backs oil. he don't even whimper, like he's lost his bark.

something really hurts inside you when you see a dog cringe like that. you know somebody's been kicking at him. beating on him, maybe.

"it's okay, boy," i say, coming a little closer, but still he backs off.

so i just take my gun and follow the river. every so often i look over my shoulder and there he is, the beagle. i stop; he stops. i can see his ribs--not real bad--but he isn't plumped out or anything.

there's a broken branch hanging from a limb out over the water, and i'm wondering if i can bring it down with one ~hot. i raise my gun, and then i think bow the sound might scare the dog off. i decide i don't want to shoot my gun much that day.

it's a slow river. you walk beside it, you figure it's not even moving;. if you stop, though, you can see leaves and things going along. now and then a fish jumps--big fish. bass, i think. dog's still trailing me, tail tucked in. funny how he don't make a sound.

finally i sit on a log, put my gun at my feet, and wait. back down the road, the dog sits, too. sits right in the middle of it, head on his paws.

"here, boy!" i say again, and pat my knee.

he wiggles just a little, but he don't come.

maybe it's a she-dog. "here, girl!" i say. dog still don't come.

i decide to wait the dog out, but after three or four minutes on the log, it gets boring and i start off again. so does the beagle.

don't know where you'd end up if you followed the river all the way. heard somebody say it curves about, comes back on itself, but if it didn't and i got home after dark, i'd get a good whopping. so i always go as' far as the ford, where the river spills across the path, and then i head back.

when i turn around curd the dog sees me coming, he goes oh into ·the woods. i figure that's the last i'll see of the beagle, and i get halfway down the road again before i look back. there he is. i stop. he stops. i go. he goes.

and then, hardly thinking on it, i whistle.

it's like pressing a magic button. the beagle comes barreling toward me, legs going lickety-split, long ears flopping, tail sticking up like a flagpole. this time, when i put out my hand, he licks all my fingers and jumps up against my leg, malting little yelps in his throat. he can't get enough of me, like i'd been saying no all along and now i'd said yes, he could come. it's a he-dog, like i'd thought. "hey, boy! you're really somethin' now, ain't you?" i'm laughing as the beagle makes circles around me. i squat down and the dog licks my face, my neck. where'd he learn to come if you whistled, to hang back if you didn't?

i'm so busy watching the dog i don't even notice it's started to rain. don't bother me. don't bother the dog, neither. i'm looking for the place i first saw him. does he live here? i wonder. or the house on up the road? each place we pass i figure he'll stop-somebody come out and whistle, maybe. but nobody comes out and the dog don't atop. keeps coming even after we get to the old shiloh schoolhouse. even starts across the bridge, tail going like a propeller. he licks my hand every so often to make sure i'm still there--mouth open like he's smiling. he is smiling.

once he follows me across the bridge, though, and on past the gristmill, i start to worry. looks like he's fixing to follow me all the way to our house. i'm in trouble enough coming home with my clothes wet. my ma's mama died of pneumonia, and we don't ever get the chance to forget it. and now i got a dog with me, and we were never allowed to have pets.

if you can't afford to feed ‘em and take 'em to the vet when they're sick, you've no right taking 'em in, ma says, which is true enough.

i don't say a word to the beagle the rest of the way home, hoping he'll turn at some point and go back. the dog keeps coming.

i get to the front stoop and say, "go home, boy. and then i feel my heart squeeze up the way he stops smiling, sticks his tail between his legs again, and slinks off. he goes as far as the sycamore tree, lies down in the wet grass, head on his paws.

"'whose dog is that?" ma asks when i come in. i shrug. "bust followed me, is all."

"where'd it pick up with you?" dad asks. "up in shiloh, across the bridge," i say.

"on the road by the river? bet that's judd travers's beagle," says dad. "he got himself another hunting dog a few weeks back."

"judd got him a hunting dog, how come he don't treat him right?" i ask. "how you know he don't?"

"way the dog acts. scared to pee, almost," i say.

ma gives me a look.

"don't seem to me he's got any marks on him," dad says, studying him from our window.

don't have to mark a dog; to hurt him, i'm thinking.

"just don't pay him any attention and he'll go away," dad says.

"and get out of those wet clothes," ma tells me. "you want to follow your grandma slater to the grave?"

i change clothes, then sit down and turn on the tv, which only has two channels. on sunday afternoons, it's preaching and baseball. i watch baseball for an hour. then i get up and sneak to the window. ma knows what i'm about.

"that shiloh dog still out there?" she asks. i nod. he's looking at me. he sees me there at the window and his tail starts ‘to thump. i name him shiloh.

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    《shiloh 》「夏伊洛」(1992纽伯瑞国际儿童文学金奖)英文选读""

    shiloh

    phyllis reynold naylor

    winner of the newbery medal

    chapter 1

    the day shiloh come, we're having us a big sunday dinner. dara lynn's dipping bread in her glass of cold tea, the way she likes, and becky pushes her beans up over the edge of her plate in her rush to get 'em down.

    ma gives us her scolding look. "bust once in my life," she says, "i'd like to see a bite of food go direct from the dish into somebody's mouth without a de- tour of any kind."

    she's looking at me when she says it, though. it isn't that i don't like fried rabbit. like it fine. i just don't want to bite down on buckshot, is all, and i'm checking each piece.

    "i looked that rabbit over good, marty, and you won't find any buckshot in that thigh," dad says, buttering his bread. "i shot him in the neck."

    somehow i wish he hadn't said that. i push the meat from one side of my plate to the other, through the sweet potatoes and back again.

    "did it die right off?" i ask, knowing i can't eat at all unless it had. he day shiloh come, we're having us a big sunday "soon enough.

    "you shoot its head clean off?" dara lynn asks. she's like that.

    dad chews real slow before he answers. "not quite," he says, and goes on eating.

    which is when i leave the table.

    the best thing about sundays is we eat our big meal at noon. once you get your belly full, you can walk all over west virginia before you're hungry again. any other day, you start out after dinner, you've got to come back when it's dark.

    i take the .22 ride dad had given me in march on my eleventh birthday and set out up the road to see what i can shoot. like to find me an apple hanging way out on a branch, see if i can bring it down. line up a few cans on a rail fence and shoot 'em off. never shoot at anything moving, though. never had the slightest wish.

    we live high up in the hills shove friendly, but hardly anybody knows where that is. friendly's near sistersville, which is halfway between wheeling and parkenburg. used to be, my daddy told me, sistersville was one of the best places you could live in the whole state. you ask me the best place to live, i’d say right where we are, a little four-room house with hills on three sides.

    afternoon is my second-best time to go up in the hills, though; morning's the best, especially in summer. early, early morning. on one morning i saw three kinds of animals, not counting cats, dogs, frogs, cows, and hones. saw a groundhog, saw a doe with two fawns, and saw a gray fox with a reddish head. bet his daddy was a gray fox and his ma was a red one.

    my favorite place to walk is just across this rattly bridge where the road curves by the old shiloh schoolhouse and follows the river. river to one side, trees the other--sometimes a house or two.

    and this particular afternoon, i'm about half- way up the road along the river when i see something out of the corner of my eye. something moves. i look, and about fifteen yards off, there's this shorthaired dog--white with brown and black spots--not making any kind of noise, just slinking along with his head down, watching me, tail between his legs like he's hardly got the right to breathe. a beagle, maybe a year or two old.

    i stop and the dog’ stops. looks like he's been caught doing something awful, when i can tell all he really wants is to follow along beside me.

    "here, boy," i say, slapping my thigh.

    dog goes down on his stomach, groveling about in the grass. i laugh and start over toward him. he's got an old worn-out

    collar on, probably older than he is. bet it belonged to another dog before him. "c'mon, boy," j say, putting out my hand. the dog gets up and backs oil. he don't even whimper, like he's lost his bark.

    something really hurts inside you when you see a dog cringe like that. you know somebody's been kicking at him. beating on him, maybe.

    "it's okay, boy," i say, coming a little closer, but still he backs off.

    so i just take my gun and follow the river. every so often i look over my shoulder and there he is, the beagle. i stop; he stops. i can see his ribs--not real bad--but he isn't plumped out or anything.

    there's a broken branch hanging from a limb out over the water, and i'm wondering if i can bring it down with one ~hot. i raise my gun, and then i think bow the sound might scare the dog off. i decide i don't want to shoot my gun much that day.

    it's a slow river. you walk beside it, you figure it's not even moving;. if you stop, though, you can see leaves and things going along. now and then a fish jumps--big fish. bass, i think. dog's still trailing me, tail tucked in. funny how he don't make a sound.

    finally i sit on a log, put my gun at my feet, and wait. back down the road, the dog sits, too. sits right in the middle of it, head on his paws.

    "here, boy!" i say again, and pat my knee.

    he wiggles just a little, but he don't come.

    maybe it's a she-dog. "here, girl!" i say. dog still don't come.

    i decide to wait the dog out, but after three or four minutes on the log, it gets boring and i start off again. so does the beagle.

    don't know where you'd end up if you followed the river all the way. heard somebody say it curves about, comes back on itself, but if it didn't and i got home after dark, i'd get a good whopping. so i always go as' far as the ford, where the river spills across the path, and then i head back.

    when i turn around curd the dog sees me coming, he goes oh into ·the woods. i figure that's the last i'll see of the beagle, and i get halfway down the road again before i look back. there he is. i stop. he stops. i go. he goes.

    and then, hardly thinking on it, i whistle.

    it's like pressing a magic button. the beagle comes barreling toward me, legs going lickety-split, long ears flopping, tail sticking up like a flagpole. this time, when i put out my hand, he licks all my fingers and jumps up against my leg, malting little yelps in his throat. he can't get enough of me, like i'd been saying no all along and now i'd said yes, he could come. it's a he-dog, like i'd thought. "hey, boy! you're really somethin' now, ain't you?" i'm laughing as the beagle makes circles around me. i squat down and the dog licks my face, my neck. where'd he learn to come if you whistled, to hang back if you didn't?

    i'm so busy watching the dog i don't even notice it's started to rain. don't bother me. don't bother the dog, neither. i'm looking for the place i first saw him. does he live here? i wonder. or the house on up the road? each place we pass i figure he'll stop-somebody come out and whistle, maybe. but nobody comes out and the dog don't atop. keeps coming even after we get to the old shiloh schoolhouse. even starts across the bridge, tail going like a propeller. he licks my hand every so often to make sure i'm still there--mouth open like he's smiling. he is smiling.

    once he follows me across the bridge, though, and on past the gristmill, i start to worry. looks like he's fixing to follow me all the way to our house. i'm in trouble enough coming home with my clothes wet. my ma's mama died of pneumonia, and we don't ever get the chance to forget it. and now i got a dog with me, and we were never allowed to have pets.

    if you can't afford to feed ‘em and take 'em to the vet when they're sick, you've no right taking 'em in, ma says, which is true enough.

    i don't say a word to the beagle the rest of the way home, hoping he'll turn at some point and go back. the dog keeps coming.

    i get to the front stoop and say, "go home, boy. and then i feel my heart squeeze up the way he stops smiling, sticks his tail between his legs again, and slinks off. he goes as far as the sycamore tree, lies down in the wet grass, head on his paws.

    "'whose dog is that?" ma asks when i come in. i shrug. "bust followed me, is all."

    "where'd it pick up with you?" dad asks. "up in shiloh, across the bridge," i say.

    "on the road by the river? bet that's judd travers's beagle," says dad. "he got himself another hunting dog a few weeks back."

    "judd got him a hunting dog, how come he don't treat him right?" i ask. "how you know he don't?"

    "way the dog acts. scared to pee, almost," i say.

    ma gives me a look.

    "don't seem to me he's got any marks on him," dad says, studying him from our window.

    don't have to mark a dog; to hurt him, i'm thinking.

    "just don't pay him any attention and he'll go away," dad says.

    "and get out of those wet clothes," ma tells me. "you want to follow your grandma slater to the grave?"

    i change clothes, then sit down and turn on the tv, which only has two channels. on sunday afternoons, it's preaching and baseball. i watch baseball for an hour. then i get up and sneak to the window. ma knows what i'm about.

    "that shiloh dog still out there?" she asks. i nod. he's looking at me. he sees me there at the window and his tail starts ‘to thump. i name him shiloh.

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